NOR’GEESETER: A Steller Story




A flower shower

Turned the tree green

Turned the grass pinker

Than I ever seen:

Cotton-candy colored

It yesterday was

When into and out of it

All the bees buzzed.

Then the quick change.

Perhaps it was the breeze:

Petals went packing

To the lawn from the leaves.

Now the Pink Tree Photo

I had taken in my head

Resembles Sun-dodging

confetti instead.

WINDING DOWN WINTER: A Steller Story from Hamilton, NJ

The remarkable GROUNDS FOR SCULPTURE is like no place I’ve ever been.  Part museum, part botanical gardens, this indoor/outdoor art gallery contains the realistic and abstract, the sublime and ridiculous.  As remarkable as the space looked during my visit, I left thinking that I could probably enjoy entirely different experiences of it in the spring, summer, or fall ; in the early morning or by the light of the scattered lampposts and landscape lights.  So large and diverse is the installation, that every trip there seems as though it would offer something unique.

On the afternoon I spent at this world class exhibition — tucked into a quiet, central New Jersey town between Trenton and Princeton — the plants on the snow covered landscape were still shivering, but doing so with their leaves turned optimistically toward the sun.  The scenes produced by the intersection of the natural and man-made artwork on that Eve of Spring inspired my latest STELLER STORY, readable by clicking on the photo below.

Click the photo above to view scenes from the Grounds for Sculpture.


Peter’s senses observed
until his notebooks were full
the heat of July,
the blossoms of April,
October’s colored leaves,
December’s deep freezin’,
yes, Peter wrote poems
about every season.

And he loved all his lines,
from the first to the last,
till that fateful day
in Geography class,
the moment he learned
what happens to weather
when it travels down south
below the equator
where December gets steamy
and July has snowballs,
October pops buds
and April is Fall.

Peter worried his poems
when published abroad
would make him seem like
an unworldly fraud.
But then his frown flipped as
he wrote these introductory words,

“If reading these poems in the southern hemisphere,
please do so upside down and backwards.”

This prologue both cleared Peter’s head
to write more poetry
and proved his failing comprehension
of Geography.