Presenting: “HOLLY BOWLING – Distilling a Dream”

The following is a production of @WeaverNFLF & me.
MANY MANY thanks to all those who helped make it happen.
Special thanks to @hollyjbowling for sharing her story.  Enjoy the show!

 

CATCHING A CLOUD: A Sneak Peek at a new Phish Inspired Film

My latest project is an independent film co-produced with @WeaverNFLF
It’s a short feature coming later this week.  Here’s a sneak peek.  We hope you enjoy the show.

A dream is a living thing.  It doesn’t stay still or remain the same.  It changes shapes, changes directions, looks different at different stages.  It’s not always possible to say where a dream originates, or to predict where it’s headed next.  But in the end, the best dreams are vibrant, singular, and unforgettable, much like the best music.  Especially like the best jams.

More than a dozen years ago, it was Phish jams that inspired Holly Bowling’s still on-going dream – which in its earliest stage, resembled a concert she feared she’d never be able to attend.  When the group returned from hiatus, Holly’s dream took on the shape of a ticket to her first show; then time off work; then the chance to follow the band.

Over and over, the classically trained pianist-turned Phish lover touched what seemed like the ceiling of her musical dream, only to have it rise and expand again, becoming something bigger and more dynamic.  This was a cloud – a natural, inimitable thing.  At first Holly admired it, then she chased it.  Then after witnessing an iconic Phish performance in July 2013, she decided to try and catch it.

Once more her dream transformed, this time taking on the shape of sheet music that captured the more than thirty minutes of musical magic and light that had become instantly known as “The Tahoe Tweezer.”  Holly put it on paper, then the cloud moved again, suddenly appearing as the vision of a crowd-funded album of her jam-scriptions, the first real recording of her life.  In the summer of 2015, Holly held the CD and vinyl prints of that very album, which she appropriately titled “Distillation of a Dream.”

“Distillation” might have been a destination for some aspiring artists.  But for Holly it was merely another milestone, along with the night that recording artist Marco Benevento unexpectedly invited her on stage to perform with him, or the afternoon Holly played a Steinway in Golden Gate Park – her sound filling the same famous hills on which her jamming fore-fathers, the Grateful Dead, first played a half century earlier.  Holly fittingly joined their history in the same month that the Dead said, “Fare, thee well,” and it was a great moment.  Then, the dream expanded again.

Its next shape was an opportunity three thousand miles from Holly’s San Francisco home: a Philadelphia venue that she dreamed her piano playing could fill with patrons.  Just like Phish in their early years, Holly took on the risk of renting a room and the burden of selling tickets, all in the hopes that her self-propelled dream would continue to grow.  Whether it moved  directly or via detour, how the song might end, or what famous faces would appear in her Philly show crowd, Holly wouldn’t know until long after the lights went down at that first ever East Coast gig.  The next turn in her journey, like that in a jam, was not something anyone could fully forecast back then, and it remains that way today.  She’s still writing the roadmap, transcribing the sound, distilling the dream as it spontaneously woos, wheezes, and breathes.

New Look at a Classic: “I HEART NY”

UPDATED: APRIL 9, 2020 – I L’Oeuf NY, V_2.0

 

 

New to me are these regional spins on the iconic I HEART NY logo.  I saw them for the first time just recently, alongside even more takes in which the red image between the I and NY represented other aspects of the Empire State.

Though they obviously don’t use the words BUFFALO

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or SARATOGA,

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to my mind these two renditions can’t help but explicitly represent those cities, and as such, they had me dreaming of an “explicitly” Albany version that would feature the profile of the Capital City’s most iconic building, The Egg.

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Apologies to the New York State Tourism Bureau if this was already present somewhere on the very billboard where I saw the official buffalo and horse images above. And if it wasn’t: get cracking on production of the “I Egg NY” merch! FOOTNOTE to THE EGG: I can’t put a number on how many times I saw this building in my life before the day I stood before it on assignment to direct a short film about a football player from Albany. That day, for the first time ever to me, The Egg looked like a football:  virtually the top of the Lombardi Trophy itself, tipped slightly and blown up a lot.

In all that I-Hearting I came across this fabulous story of the original logo, the remarkable designer who created it, and the interesting life that both man and art have led.  Definitely worth a read and/or listen, via the podcast 99% Invisible.

STROLLING THE $1 MILLION STAIRCASE: A Steller Story from Albany, NY

Due to the boundaries of conventional photography, it’s necessary to see the Grand Canyon in person if you want to have any real sense of it.  Even then, the limitations of the human eyeball and depth perception make it challenging to compute what exactly it is that’s before you.  The scale. The structure.  The origin story.  They combine to form something like nothing else, and so by definition, laying eyes on it is a moment for which you cannot be prepared.  Even as you’re looking at the Canyon, it’s hard to know where to direct your eyes first, next, or last.  The result can be a sort of dizzying rush of astonishment and adrenaline.

As man made things go, the $1 Million Staircase — located in the New York State Capitol Building in Albany, NY — sent my head into similar spaces.  Capturing a photograph that could successfully illustrate both the massiveness and nuance of the Stairs seemed impossible.  In an effort to instead take a series of mental snapshots, every neck contortion and eye swivel I could muster felt insufficient.  There was simply too much to the space, also referred to in Capitol parlance as The Great Western Staircase, to feel like I’d seen or digested it all.  To try and add it up as I walked it was to be transported into a real-life composite of MC Escher artwork, someplace at once concrete and impossible.

The Staircase is a singular sight with a remarkable story ; for someone interested in art, architecture, or history, it’s an absolute must-see.  And believe it or not, the tour is free ; not a bad deal for a look at something priceless that may just leave you speechless.

For a sneak peek and more on how the $1 Million Staircase came to be, read my Steller Story on it by clicking the photo below.

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To see The $1 Million Staircase inside the historic New York State Capitol Building via @StellerStories, click on the image above.

A SON-OF-ALBANY STORY, CO-STARRING MY DAD

PROLOGUE – Following is a behind-the-scenes account of my recent short film on a fellow Son of Albany, Charles Leigh.  He made history as the first player known to sign an NFL contract directly out of high school, before becoming part of the Miami Dolphins Dynasty of the 1970s.  This summer I had the privilege of telling his story for NFL Films Presents.

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LOGUE – Below is the second part of the written story originally published on the NFL Films blog, “They Call it Pro Football.”  To see the piece there, where it includes a slideshow of production photos and a link to a Charles Leigh highlight video consisting of footage discovered during the making of the film, click here.

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EPILOGUE – During our July, 2015 shoot in my hometown, I brought my Dad to work.  Actually, I needed him to drive me to locations, so it’s probably more accurate to say that he brought me to work.  Either way, it all felt somewhat prophetic come fall when I learned the Leigh feature, previewed in the Albany Times-Union, would premiere as part of an episode titled “Fathers and Sons”.

 

TWO LETTERS, MAN, TO LETTERMAN

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Dear Dave –

I’m writing because there’s been a mix-up, which I know now, because of Al Pacino’s “Danny Collins.”

One night, 14ish years ago in Fremantle, Western Australia, I penned a letter to the editors of my college newspaper, advocating you be the keynote speaker at our commencement ceremony, slated to take place roughly one year later.  This was no reckless Hail Mary, Dave, the dorkiness of the language notwithstanding (and it is dorky, see below).  I gave them more than ample time to run background checks on you, to build a riser for the horn section, to accommodate whatever eclectic Canadian nutritional needs Paul might have.  Yet, inexplicably, I never heard back.

Puzzling, I know.

Instead of you, the school played it safe and booked the president of Mexico, then when he fell through, got lucky by nabbing the late great Tim Russert, who brought the house down.  Still, I couldn’t shake the feeling that a great white whale of a chance had been allowed to escape without so much as a chase.

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THROWBACK CRAZY – Al Pacino himself sneaks up on Dave, then proceeds to read the numbers during the list of the “Top Ten Reasons Why Max is So Mad” (5-14-15), less than a week before the final Late Show.

By way of serendipity a few months back, I came across a copy of my letter to the editors, in the very same week that I read a story on “Collins”, Pacino’s new film.  It was about an aging rock star thrust into a cyclone of regretful introspection when it’s brought to his attention that as a young artist in the 1970s, he was the intended recipient of a fan letter from John Lennon.  The letter, advising Pacino’s character to stay true to himself and his art, had never arrived.  Finding out about it years later, the musician wonders how his life and work might have been different – less kitschy-pop, perhaps — had he gotten the message from Lennon.  Well, imagine.  It all hit me.

I’m no Beatle, but what if the editors had somehow lost my letter?  Or, what if they’d gotten it, but it then got lost in translation to the commencement poo-bahs?  What other rational explanation could there possibly be, Dave?  The president of Mexico!

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REVERSAL OF FORTUNE: Dave, pictured here on 5-1-15, announcing to the world, “Hi, I’m Dave. And by the way, I’ve dropped my price for commencement addresses.”

There’s no way to measure how many lives may have been impacted had fate not interfered with you speaking at graduation.  But now, so many Mays later, an alignment of the stars between you and the class of 2002 is no longer out of reach.  For starters, there’s the forthcoming flexibility in your day planner.  Then, the abundance of tailgate parties, round-ups, and reunion events our class convenes on an annual basis.  And finally, the fortuitous development that, as you pointed out in the monologue just two weeks ago, you’re dropping your speaking rate.  That means you and our alumni board can probably work something out.  What great news!  It’s like we accidentally made a sound investment that has appreciated into a great treasure.  Or at the very least, found an unopened sleeve of Thin Mints buried in the back of the freezer.

Briefly before I continue, since it’s looking unlikely I’ll get to say it from the sofa seat on your show, allow me to join the chorus of your recent guests in thanking you for all the yuks over all these years.  Many performers are best described as entertainers ; but the rare few, simply as entertaining – so seemingly effortless is their ability to captivate an audience that it never comes off as an act.  That’s the good stuff, Dave, and you’ve got it — same as that naturally funny guy or girl who we all knew down the hall in the dorm.

I was only a teenager when Johnny signed off, and though I’d never really watched him, I knew his departure was a big deal.  So I decided I’d stay up and seize the final opportunity there would ever be to catch Carson.  And boy, do I remember that night: how I fell asleep long before Doc struck up the band and woke up the next morning consoling myself that at least I’d always have Dana Carvey’s impersonations to fall back on.  All good.

This week it’ll be different.  If I were to nod off, I’ll still wake up with my Late Show t-shirt and memories to spare: of watching, of attending a taping, of once seeing Biff in line at The Vatican (my wife doubts the authenticity of this ; a multi-layered blasphemy on her part, in my opinion). And even having all that, next Thursday morning there’ll be little consolation knowing the curtain has dropped for the final time at the Ed Sullivan Theater, onto the same stage where John Lennon once played.  His fictional letter in Pacino’s movie was inspired by a real one the Walrus wrote to a real musician who really never received it.  It happens, the mail gets lost.  Dreams get deferred. Raisins in the sun stand up and dance to Marvin Gaye music.  Crazy, zany, bonkers stuff can go down, Dave. You know it. You believe it. You proved it.  So see you at the next reunion.  Hoo-wah.

Thanks again for all the laughs.

Your pal,
Paul A. Camarata
Univ. of Notre Dame, Class of 2002

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WHAT’S A WRITING DORK TO DO? – Easy. Write. In this case, a plea to Notre Dame to issue Dave a blue and gold mortar board and an invite to speak at graduation. Comment from neither the Holy Cross Priests nor lay Board of Trustees who govern the University has yet to find me. #keepthefaith

24 YEARS AGO TONIGHT, or, How A Super Bowl Changed My Life

The highlight of my life as a sports spectator came 24 years ago tonight, right about this time.  It was January 27, 1991, and my favorite team had just won the Super Bowl.  Yes, other favorite teams of mine had won championships during my lifetime – among them the ’88 Fighting Irish and the iconic ’86 Mets.  But from their seasons I had retained only hazy memories, the first light of fandom having just barely drawn open my eyes.  The timing of this team though, the 1990 New York Giants, was different.

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MY DEREK JETER SIGNATURE MOMENT

With no other knowledge of Derek Jeter at your disposal than the soundtrack of his farewell tour, you could easily discern that this man the whole world seems to be feting has done something right.  “The Right Way,” in fact, may be the most frequently used phrase to describe Jeter, the Yankee captain who yesterday in Boston played the final game of his Major League career.  It was a moment to which he arrived after a summer of having standards like My Way, Respect, and the theme from The Natural all played with complete sincerity in his honor, often in stadiums where he habitually led the dashing of hometown hopes and dreams.

Sounds as singular as Aretha Franklin, as classic as Frank Sinatra, and as stirring as the crack of Roy Hobbs’ ‘Wonder Boy’ make it easy to recognize “The Right Way” when you hear it.  But what does it look like?  Could you tell it if walked up and shook your hand?

In the summer of 2010 I interviewed Derek Jeter for NFL Films.  By that point in my career I had directed crews on interviews and film shoots with Super Bowl winning players and coaches, famous writers, musicians, photographers, even a swimsuit cover model.  During the course of the commute, arrival, and set-up in an auxiliary locker room at Yankee Stadium, it struck me that our crew on this day seemed to grow quieter than usual.  We were all accustomed to working around football players ; many of our camera operators are on a first name basis with the NFL’s biggest stars.  But none of us had spent much time in the baseball world, let alone met The Yankee Captain.

When he entered the locker room, each member of our four person crew shot up, and from our spots on the set began to wave hello.  Before we could finish, Jeter had made his way around the room, shook each person’s hand, and introduced himself, “Hi, I’m Derek.”  Such a start told me this would be a painless experience ; what made it memorable, though, was how the whole thing ended.

We’d come to talk to Jeter about his views on what made Tom Brady one of the NFL’s all-time greatest players.  When the conversation was over, with the commitment he’d made to us fulfilled, Jeter did something I’ve never seen another superstar do: he stood up, walked around the room to where each of our crew members was standing, shook all our hands a second time, and thanked us for coming.

In my professional life perhaps no smaller an act has made a bigger impression on me than Number 2’s distribution of two hand shakes-plus two greetings-times four people that afternoon.  If we’re the only crew he ever did that for (which I doubt) then I applaud his approaching an atypical audience – the football people – with a fresh perspective ; if we’re one in the long line of crews he greeted that way, than I marvel at his diligence – especially in such an advanced stage of his iconic career — in treating newcomers to his house with courtesy and respect.  Or rather, in treating us the right way.

Over time, doing the right thing the right way yields far more than it costs.  For proof of that, look no further than the record of the last summer Derek Jeter played baseball.  Some people did the job as well as he did, a few people even did it better.  But the right way is the reason that perhaps no one in history exited the game as Jeter did.  Through a promenade of praise piled higher than the famous facade at Yankee Stadium, to which he responded as he had after all the big hits and post-season heroics: by humbly tipping a cap to all those whose hearts he’d filled with song.

MR. NOVEMBER COMES TO PHILADELPHIA: Derek Jeter bats against the Phillies in Game 4 of the 2009 World Series ; Philadelphia, PA - Nov. 1, 2009 (Photo: PaC)

MR. NOVEMBER COMES TO PHILADELPHIA: Derek Jeter bats against the Phillies in Game 4 of the 2009 World Series, Philadelphia, PA – Nov. 1, 2009.  That night members of the hometown crowd seated near me attempted to distract The Yankee Captain by chanting the name of his lady friend: “MIN-KA KEL-LY!”  Jeter didn’t seem to mind. (Photo: PaC)

 

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ROLLING LIKE THE BUS

In honor of consecutive stellar performances by Notre Dame to open the 2014 season, we’re dipping back into the archives to share the drawing below.  It was done back when I was merely a Tweedlet in Mrs. Davis’s 6th grade art class, and only years later, autographed by the subject, Jerome Bettis.  Long before he was nicknamed “The Bus” during his NFL career, Bettis was a bulldozing fullback in South Bend — though even his physical style might have met its match in the Irish defense on display the last two weeks.  Sure, the now departed Bob Diaco may have resembled Don Draper, but so far his defenses were mere impostors compared with Brian Van Gorder’s Van Goghs.  The first year Irish Defensive Coordinator has a name like a Dutch Master but through two games his group is pure Cohiba.

(Drawing by PaC - Autumn, 1992)

(Drawing by PaC – Autumn, 1992)

GIVING A SMILE

About once every hour since yesterday afternoon, the following has hijacked my inner monologue:

“Goooooooooood morning Vietnaaaam! Hey, this is not a test, this is rock and roll!  Time to rock it from the Delta to the DMZ.  Is it me or does that sound like an Elvis Presley movie?  Viva Danang…Ohhh, vee-vahhh Danang…Danang me, Danang me, you’re gonna have to get a rope and haaang me! Hey it’s a little too early for bein’ that loud. Hey, too late.  It’s oh-six-hundred hours.  What’s the oh stand for?  Oh-my-god it’s early.  Speaking of early …” 

That’s as much as I can recite on my own, some twenty-six years after I first heard them: Airman Adrian Cronauer’s introductory remarks on Radio Saigon.  If the transcript above is not a verbatim match to the original, I’m sure it’s damn close.  My certainty is not a comment on the prowess of my memory but on the power of the performer who indelibly marked it.  If the ability to give others something that makes them smile is what it means to have greatness, then Airman Cronauer — like his cousins Euphegenia Doubtfire, Red Sox fanatic Sean Maguire, and the part time Denver Broncos cheerleader pictured below — had it from here to Hanoi to Moscow on the Hudson.

ORK PRETTY: Robin Williams performing as a Denver Broncos cheerleader in 1980, via History in Pics.

ORK PRETTY: Robin Williams performing as a Denver Broncos cheerleader in 1980, via @HistoryInPics

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FOURTH OF MEMORIES

Fireworks and chocolate ice cream don’t look alike, don’t sound alike.  My best guess is they don’t taste the same.  But for the way they both possess the ability to delight even on those rare occasions that they’re underwhelming, these smile-inspiring fraternal twins of summer simply must be made of some of the same stuff.

Among all the stunning pyrotechnic displays made in the American skies each 4th of July, there is none better than the show over the waters of the United States Naval Academy in Annapolis, MD. Give it a look some time, especially if you can do so from a boat anchored in the Chesapeake.  For the full effect, pack your own Stars and Stripes to help set a mood like the one pictured below.

OL' GLORY and the OLD LINE STATE - Fourth of July fireworks over Chesapeake Bay, as seen from the middle of Chesapeake Bay. (Photo: PaC)

OL’ GLORY in the OL’ LINE STATE – Fourth of July fireworks over Chesapeake Bay, as seen from the middle of Chesapeake Bay. (Photo: PaC)

America’s Birthday, 2014 is now in the rear view, but here’s the best flag-centric reading this weekend had to offer:  a story from The Atlantic on The O.S.S.B, aka, The Original Star Spangled Banner, and via FastCompanyDesign, an illustrated biography of the American flag.

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STEALING FROM TIFFANY’S

Twelve years ago today, almost exactly to the moment this post goes up, my eyes gazed on this artwork for the first time.  Varying in size, color, and composition — from small and flat under mattes and polished glass, to movie-theater-lobby-esque large format, to three-dimensional shadow boxes in frames custom made of reconstituted desk drawers — it comprised the then little known passion project of America’s “King of the Football Movies.”  And like the montages he and his filmmaking brain trust popularized, the work resonated with my eyes and ears in such a way that I couldn’t help but imitate it — in part, in the poster below from 2003.

If you’re feeling generous call it flattery, and if you must, call it theft – but then only in consideration of that advice the King himself was known to impart, “If you’re going to steal, steal from Tiffany’s.”  I don’t recall what I had for breakfast twelve years ago today ; I can barely remember what I had today.  But June 3, 2002 — and how it changed the way I see the world — is a morning I won’t forget.

"Wilbury Poster Boys", created circa 2003. (Original poster and photo by PaC)

“Wilbury Po’ster Boys”, created circa 2003. (Original poster and photo by PaC)

HAPPY THOUGHTS

Pharrell Williams is Happy.  Need proof?  No problem.  Listen anywhere music is being played right now and before long you’ll hear the Man with the Smokey Bear hat declaring his joy.  But how he got that way — how anyone does, really — is more difficult to discern.  Maybe following the McFerrin Postulate, refusing to worry.  Or the Richards Principle, filling a need for love.  Perhaps for you, an annual celebration or a hot pistol does the trick.

Certainly, different folks need different guitar strokes to reach their own happy place.  Music is funny that way, one tune evoking distinct notes  in every ear.  Be they upbeat or quirky or somehow humorous, lots of songs make me smile, but none in the same way as one by Warren Zevon.  Not the one about the hair-raising manster, but about Roland the Headless Thompson Gunner.

That’s the title of a unique piano-driven rock song story that I heard for the first time during Zevon’s final appearance on The Late Show.  Before then, Werewolves of London was all I knew of the man.  Not even a lick of Lawyers, Guns, and Money.  But after that night, during which Zevon spoke candidly with his old pal Letterman about the terminal lung cancer that would take the musician’s life within six months, Roland has remained in my brain as an auditory monument to happiness, because it reminds me of how Warren answered this question from Letterman:

DAVE:  From your perspective now, do you know something about life and death that maybe I don’t know?  The original question and answer is at the 3:18 mark of this clip.

As with any artist, Zevon generally gives the sense that great happiness springs from doing whatever it is you love. But in this moment he explicitly suggests, I think, it’s even more important to love whatever it is you’re doing – no matter how mundane it may seem.  Put another way, keep a song in your heart, but also, enjoy every sandwich.  Beneath my own funny hats, like the song of Roland Warren played that night at Dave’s request, that sounds happy.

 

 

MALLING IT IN

Remember Jake and Elwood literally driving through their local shopping mall, delighted that it now housed a Pier One?  Or Wyatt and Gary finally achieving a moment of teenage cool, only to have it destroyed by a red Icee raining down on their heads?  And who can forget the epic opening title sequence to Cameron Crowe’s Fast Times at Ridgemont High?   Yes boys and girls, there once was a time when the big screen simply reflected what the world firmly believed:  that if something was happening, it was happening at your local mall.

A generation ago, these one-stop Shangri-las of food courts, multiplexes, anchor stores, and fake plants were still sprouting up all across America, promising to be a new kind of lifestyle altering cultural-commerical crossroads, equal parts vast Persian marketplace and great Parisian salon.  And if you think that’s hyperbole, gettaloadathis:

The feature attraction in that video opened exactly thirty years ago.  I can attest that today it’s still alive and kicking, unlike some of the spots in this photo collection of abandoned shopping malls recently published on FastCoexist.com — images that provide a great sense of what a One Day Sale would look like if it was held at the End of Days.  Clearly not every utopian indoor shopping concept blossomed into a world famous attraction like the Mall of America, where legions still flock to ride one of the planet’s few roller coasters covered by skylights rather than sky.

For the rest of the malls in America, the up and down ride through our hearts continues.  And while you can continue to expect long lines at the nearby mall when Kris Kringle or Peter Cottontail are in the house, history has shown that developing an over-dependence on the Christmas and Easter crowds can transform a spirited community house into a temple of fund raisers.  Even those magnets once fit for the silver screen eventually lose their drawing power.  And when they do, sometimes all that’s left is plenty of good parking.

A giant Legoman dwarfs visitors to the Mall of America in October, 2013.  (Photo: PaC)

A giant Legoman dwarfs visitors to the Mall of America in October, 2013. (Photo: PaC)

MY NEVER-BEFORE-SEEN PHOTOS OF SOME GUY NAMED BUBBA WATSON

BUBBA WATCHERS

Four days after this practice swing, Bubba Watson would don his first green jacket before uttering, with beautiful humility, “I never got this far in my dreams.”

Just after 8am on the morning of Wednesday, April 4, 2012, I stood on the edge of the 14th tee box at Augusta National Golf Course, a trigger happy shutterbug.  Getting in position early had afforded me a clear view of the hopeful pros making their way through the final practice round before the start of that week’s Masters.  Ignorance of the etiquette for where and when I could snap photos gave me the nerve to capture several action sequences of guys teeing off.  So I shot first and asked questions later, questions like, “Who was that guy with the pink driver?”

I now know that the 14th at Augusta is called “Chinese Fir”, and that the Man in White that morning was named Bubba Watson.  He’d go on to win his first green jacket four days after I watched him practice ; his second two years and nine days later.  Yes, I got shots of Tiger on the tee that morning, and I like them, too.  But none more than these images of Bubba just before takeoff, lightning as accidentally bottled as it’s ever been.

 

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(All Photos: PaC)

THE BRIEFS HAVE IT

In the Great Big Bucket of Tips for Better Writing, perhaps no advice occupies more space than that stuffed under the heading of “Brevity.”  Take your pick: Shakespeare, Pascal, Emerson, Twain, Strunk & White.  They’ve all rung in on the value of staying succinct.

The most memorable thoughts on this topic I ever received with my own ears came from award winning sports and film writer Ray Didinger.  Quoting one of his former editors in the newspaper business, Ray advised, “Keep it light, keep it tight, keep it bright, and get it right.”  Simple, concise, and comprehensive, the suggestion has remained with me — even when my work has not reflected it.

Though 140-character limits and the spread of text-ese continue to truncate our communication, when they surface, new good words on the topic of keeping it brief will always be worth a look. Here’s some from Danny Heitman in this week’s New York Times Opinionator.  Enjoy.

 

Mark Twain - shown here in Bermuda Bronze - is one of several authors credited with saying in some way, "I'm sorry for sending such a long letter, but I didn't have time to write a short one."  Click above on Ol' Samuel L. Statue for a history of that famous Short Thought. (Photo: PaC)

Mark Twain – shown here in Bermuda Bronze – is one of several authors credited with saying, “If I’d had more time I would have written a shorter letter.”  Click above on Ol’ Samuel L. Statue for a history of the line, including the position that Twain did not in fact author that famous Short Thought. (Photo: PaC)

 

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2003 – WHAT CHRISTMAS IS ALL ABOUT

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Vince Guaraldi’s piano stylings … Lucy pining for real estate … Charlie Brown dropping knowledge on the Peanuts, in spite of himself.  Lots of “kids stuff” gets better and more meaningful with age, but none more so than “A Charlie Brown Christmas”, the inspiration for the very cut-and-pasted second card ever.